Monthly Archives: October 2011

Alonzo King’s LINES Ballet: A Review

Alonzo King’s LINES Ballet: A Review

Lines

 

Alonzo King’s LINES Ballet is not your typical ballet company for so many reasons. At the top of that list of reasons is mastery of fluid, flawless movement. The dancers are polished, amazingly capable athletes and artists. They are the closest thing to perfection I’ve ever witnessed.

 

At intermission my daughter noticed that I was crying (yes, they were that good. I’ve never cried at a dance performance before). “Why are you crying, Mom?” she asked.

 

Because they are the most beautiful dancers I’ve ever seen,” I said.

 


I’ve never seen such a breathtaking and unusual array of dancers: wild-haired Spaniards, tall, lithe Amazonian pixies, long, willowy African American men and women; incredible athletes of every size, shape and race. This is not a company where each dancer is supposed to be a perfect carbon copy of the next. Instead, every individual’s strengths and style are encouraged and showcased.

 

King’s choreography is fine-tuned for each dancer; it is expressive and progressive. “It was ballet but not really,” according to my daughter. It is ballet, but it is so much more. King takes ballet and gives it modern-day relevance. The dance vocabulary is all his own, but it’s a language that today’s audience can understand and relate to. His collaborations with other master artists such as Zakir Hussain and Pharoah Sanders add further vitality to his work.

 


King’s choreography is demanding!! There were times that it was hard to believe that I was seeing what I was seeing. Yet the dancers pulled it all off seamlessly. Watching them move with an understanding of how much energy is involved is awe-inspiring… and the dancers were on fire! Every one of them worked to their limit to “bring it”.

 

Many years (okay, decades) ago, a friend brought me to one of Alonzo King’s classes. I’d been studying classical ballet for more than 13 years at the time, 6 of them at the prestigious School of American Ballet and San Francisco Ballet School. I distinctly remember how difficult I found his class- mostly because the moves were so foreign- I couldn’t make my body do what was being asked. It was ballet, but not exactly… or rather, it was contemporary ballet as opposed to classical… something else entirely.

 

Those of us who live in the Bay Area are fortunate to have such an amazing gem in our midst. I plan to partake of that good fortune as often as possible.

 


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Cynthia Leitich Smith’s “Jingle Dancer”: A Review

Cynthia Leitich Smith’s “Jingle Dancer”: A Review

Author: Smith, Cynthia Leitich

Title: Jingle Dancer

Publisher: Morrow Junior Books, 2000

ISBN: 0688162428

Ages: 4-8

 

Jenna lives for jingle dancing. Watching her grandma dance to the brum brum brum of the powwow drum, Jenna asks if she can dance at the next pow wow. “Next powwow, you could dance Girls,” Grandma answers. “But we don’t have enough time to mail-order tins for rolling jingles.”

 

But Jenna wants her dress to sing. She loves the tradition that has been passed down through many generations of family. She puts on her thinking cap to solve her problem. Her days are soon filled with visits to other family members and friends, like Aunt Sis, Mrs. Scott and Cousin Elizabeth. Jenna hears stories from each and asks them to help her collect enough jingles for her dress. With a little extra help from Grandma, Jenna’s dress is ready to sing at last.

 

When the big day arrives, Jenna remembers each person who helped her and dedicates her dance to each of them, since they are not able to dance themselves.

 

Cynthia Leitich Smith’s lyrical prose relates the story of how a contemporary Native American Girl turns to family and friends for help. Watercolor illustrations by Cornelius Van Wright and Ying-Hwa Hu bring the story to life.

 

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¡Ole!flamenco by George Ancona: A Review

¡Ole!flamenco by George Ancona: A Review

 

Author: Ancona, George

Title: ¡Ole! Flamenco

Publisher: Lee & Low Books, 2010

ISBN: 9781600603617

ages: 8-12

 

Flamenco: It’s singing, it’s dancing… it’s a passionate, expressive art form that has evolved over hundreds of years. George Ancona visited and photographed today’s generation of flamenco dancers in Spain and New Mexico, capturing their dance in a beautiful collection of color photographs of swirling skirts, stomping feet and flowing limbs.

 

¡Ole! flamenco traces the Gypsy origins of flamenco as they fled from foreign invaders in India, migrating across the Middle East, North Africa and Europe, traveling with camels and caravans to escape, bringing their dance and a strong sense of independence with it. Although the Gypsies remained outsiders wherever they went, they eventually found safety in Southern Spain, where their music and dance blended well with that of the Moors, Arabs and Jews.

 

Today flamenco remains a heartfelt tradition that is passed down from one generation to the next, each lending their voices, zapateado (footwork), hearts, and hands to the ever-evolving tapestry of this colorful art form. ¡Ole! flamenco offers the reader history, terminology and and inside look at today’s up and coming young dancers. Both elegant and educational, it’s also inspiring enough that you may finish the book with a desire to sign up for classes yourself.

 

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